Reviewing Victoria’s Blog

Link to Victoria’s Blog: https://victoriamartin.art.blog/2020/04/14/would-shakespeare-be-catfishings-next-victim/

Hi Victoria, I chose to peer review your blog this week as I was immediately intrigued by your title and curious to see how you were going to relate such a contemporary concept to Shakespearean times. I think you structured this really well, first explaining the notion of catfishing, and then incorporating two texts from the Renaissance to strengthen your argument. I like your use of rhetorical questions by asking the audience “ would Shakespeare fall victim to cat fishing?” and making me think about my own opinion. My only thought for improvement is that it could have been more effective to introduce your stance on this statement earlier in your blog rather than right at the end, therefore you could use your analysis of texts to further justify your argument, rather than a short statement right at the end. Overall, great job 🙂

Envy

For this week’s blog I stepped out of my comfort zone and into the world of script writing for the very first time. Whilst I usually enjoy creative writing and find it rather easy, I found it challenging to write this piece as I realised that script writing is very different to writing a narrative or poem.

Write a short script that depicts a man or woman collapsing in a rage of jealousy.

CHARACTERS:
Noah
Elise
Maya

Two sisters, Elise and Maya, walk up a driveway to a friend’s house for a birthday party. They come to a stop at the door and ring the doorbell. Maya looks at Elise suspiciously.

Maya: Bit strange that Noah invited you isn’t it?

Elise: What do you mean?

Maya: Well I’m his best friend so of course he invited me. We’ve known each other our whole lives. But I’ve never seen you talk to him… other than when you’re making fun of us.

Elise: Well we’ve been [Elise pauses as if looking for the right word] talking lately.

Maya impatiently rings the doorbell again, before turning back to her sister with a skeptical expression on her face.

Maya: Talking?

Elise: Dating, actually

Maya’s suspicions are confirmed but before she can say anything she is interrupted by the door being swung open.

Noah: Hey! My two favourite people. Please, come in

Elisa and Noah embrace in a hug and conversation. The stage goes dark and a single spotlight falls on Maya as she turns to the audience.

Maya: What else can be taken from me by her? My older sister. The golden child. Pretty, smart, charismatic and prefered by all except for one person who usually favoured me… until now I suppose. I can feel the sting of jealousy’s claws tearing into my heart, gripping so tight until I bleed. Perhaps that is the one thing I am better at. My sister has never felt pain like I have, envy like I have, nor worked as hard as I have to impress others. There I win. But everything else is hers.

Reviewing Katrina’s Blog

Link to Katrina’s Blog: https://khuynhvo.wordpress.com/2020/03/20/hamlets-contemporary-soliloquy/

Hi Katrina, I really enjoyed your blog this week. The message behind it was really powerful and strong, and completely relevant to our contemporary society with the current Coronavirus pandemic. I also think you did a great job encapsulating Hamlet’s voice of despair and existential questioning as this blog very much reminded me of the infamous Act 3, Scene 1 ‘“To be, or not to be” soliloquy. My only recommendation would be to even further develop the language you use to be more “Shakespearean”; you do this really well at the end through your wording choices and extended metaphors.

The Shakespeare Room

I have always wondered how centuries after Shakespeare’s death, he still remains famous. His works are studied at a primary school level and university level. His plays are still being performed on stage all over the world. Even children’s films such as the Lion King have been influenced by the plots of Shakespeare’s plays. How is he still relevant? 

On Monday my Shakespeare class embarked on a “virtual” excursion to the NSW State Library Shakespeare Room where I would engage with a multitude of Shakespeare’s works and this lingering question of mine would finally be answered. 

Upon walking in the Shakespeare Room, the stained glass windows immediately capture your attention. They are seven separate images, depicting the seven ages of man from Shakespeare’s play ‘As you Like it’ (Act II, Scene VII). This consists of:

  • The “infant, mewling and puking in the nurse’s arms”
  • The “whining schoolboy with his satchel” 
  • The “lover, sighing like a furnace, with a woeful ballad”
  • the “soldier, full of strange oaths, and bearded like the pard”
  • the Justice who is “full of wise saws and modern instances”
  • The “Pantaloon, with spectacles on nose, and pouch on side”
  • The last stage: death “that ends this strange eventful history”
*Image found at https://www.sl.nsw.gov.au/stories/shakespeare-library/shakespeare-room

I was mesmerised by this concept and the beautiful stained glass windows that illustrated an entire life in seven simple pictures. I also understood a little more why Shakespeare is so important as these ideas that he presented and language that he used were not only ahead of his time, but revolutionary.  

We then took a look at the First Folio which was published in 1623, yet still to this day is held in such high regard. With the exception of the Bible, this book is considered the most influential book in the English language, highlighting the importance of Shakespeare and his profound influence on society and culture. 

*Image found at https://www.bl.uk/collection-items/shakespeares-first-folio

Globe Theatre Hamlet Review

To watch or not to watch — that is the question.

I have studied countless Shakespeare plays. From year 9 English through to university level literature classes. However, one cannot truly appreciate Shakespeare’s works from the back corner of a worn-down classroom. The experience of standing on your feet in a crowded arena, watching the actors embody Shakespeare’s characters entirely is unmatched. 

The costumes in this performance were astounding. The dresses worn by Ophelia and Queen Gertrude were both fitting to the era and the character’s personas. For example, the clean white of Ophelia’s dress portraying her innocence yet perhaps foreshadowing her death. Also, the director’s choice for the actor’s to be silent and have only music playing when Hamlet performs his play for the King and Queen profoundly built tension and suspense. However, none of these choices were as courageous as the decision to have Hamlet be played by a female, Ophelia a male actor, and Horatio a female actor. Whilst initially this evoked shock and confusion, soon after I was completely on board with the idea, symbolising that Shakespeare is indeed timeless, yet still progressing and growing with modern society. 

After deep analysis and contemplation, the answer to my question is unequivocal. Yes, this play is absolutely worth the watch. 

*Images from The Guardian – https://www.theguardian.com/stage/2018/may/16/shakespeares-globe-michelle-terry-hamlet-as-you-like-it